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It doesn't give calligraphers total freedom, though; you'll have no serifs to work with.
In collecting these letters, I have noticed a lot of variation in the weight of the outlines. I have given you two different versions of the letter O, here made of leaves; one with thin gray lines that will almost disappear when you fill them, and one with heavy lines that look like the lead in stained glass. You can decide what colors work with these. At left, O in soft shades of green, from my upcoming series Song of Songs, Which is Solomon's. At right, for contrast, I used the brightest markers in the set.
Nice, thank you!
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