Technical problems kept me from posting this on time.
Today and next week we will look at techniques for dealing with extremes of scale--very large letters and very small letters.
I just finished a huge design where one line is repeated 1000 times, each one fitting into a one-inch square [2.5 cm]. That made the lettering a tiny 2 mm tall.
At such a small size, you have to pay attention to your materials. The most important things are:
Small letters generally mean long text. Make extra sure of your design so you don't get halfway through and regret your layout.
And don't get cocky! Here is a leaf from a 14th century manuscript, a fairly commonplace piece of scribery. Those letters are 2 mm high too.
Today and next week we will look at techniques for dealing with extremes of scale--very large letters and very small letters.
I just finished a huge design where one line is repeated 1000 times, each one fitting into a one-inch square [2.5 cm]. That made the lettering a tiny 2 mm tall.
At such a small size, you have to pay attention to your materials. The most important things are:
- Paper with a smooth surface
- Pen with a sharp point
- Pigment that flows smoothly
Small letters generally mean long text. Make extra sure of your design so you don't get halfway through and regret your layout.
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Oh my! Wow! That is something else. 8O Thank you. Must have been a little mind-numbing to execute but a wonderful feeling once donw.
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