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Feel free to make any plain I you encounter more elaborate.
This letter I illustrates the Florentine technique of decoration that was popular in the late Middle Ages and Renaissance. The leaves are highly stylized from the acanthus, shown at right, traditionally used in antiquity at the top of Corinthian columns.
The manuscript leaves are colored with three slightly different tints (you can use two if you are just learning or the scale is very small), very pale at the edges and getting darker in middle. Some styles add a row of white dots down the spine of the leaf, and surround the leaves with gold sparkles.
I haven’t outlined the areas of light, medium, and dark tints for you on the printout, because the colors should seem to flow into each other. But I’ve provided a set of step-by-step illustrations here.
The manuscript leaves are colored with three slightly different tints (you can use two if you are just learning or the scale is very small), very pale at the edges and getting darker in middle. Some styles add a row of white dots down the spine of the leaf, and surround the leaves with gold sparkles.
I haven’t outlined the areas of light, medium, and dark tints for you on the printout, because the colors should seem to flow into each other. But I’ve provided a set of step-by-step illustrations here.
ABOVE:
🀆 Light blue 🀆 Light blue finished 🀆 Med blue 🀆 Medium blue finished
🀆 Dark blue 🀆 Dark blue finished 🀆 White dots 🀆 White dots finished
Now I have to confess that I had trouble deciding what color to add once I'd finished all the blue. So I ran four copies and tried out four different color combinations. This is usually a good way to discover what you like, but I still can't decide! I'm thinking...
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